By Michael A.G. Haykin
Ah, one good reason to read the history of the church is to avoid the follies of the past. With the passage of time, the folly is patent, though at the time when it was committed, it may well have passed for wisdom. One thinks of the defence of slavery by God-fearing men and women in the 18th and 19th centuries and further back, the “learned’ ripostes by Christians to the new science of Copernicus. In the realm of worship, we Baptists can learn a lot from the conflict that ripped apart the London Particular Baptists in the 1690s. So fierce was it, that eventually some of the pastors called a halt to the treatises being written and so attempted to find a pax Baptistica.
I am old enough to remember a wise pastor making the following statement in a public worship setting, and I quote, “There will be no rock music in heaven.” Yet, fifty years after the rock n’roll of the sixties, is it not true that in many of our worship settings, some of the music by which we worship the Lamb could not be envisioned without the rock revolution? Are we to regard this way of combining chords and rhythms as sinful or is it better seen as part and parcel of the creativity that God has packed into the human frame? And is it not true that some of the music that we like in worship or that we don’t like has more to do with personal preference than divine fiat?
Michael A.G. Haykin is the director of the Andrew Fuller Center for Baptist Studies. He also serves as Professor of Church History and Biblical Spirituality at Southern Baptist Theological Seminary. Dr. Haykin and his wife Alison have two grown children, Victoria and Nigel.